All music AI-generated by Stability AI
Most videos AI-generated by WZRD.ai
This was time consuming but worth it. I rarely like my stuff, but I dig this. AI-generation is fascinating, from a media perspective alone. It eerily feels like a “human” collaboration, complete with back and forth snippets or ideas. As I have done lately, I created a long form piece, aka album, in parts, aka songs. For the audio the prompts were thematically similar:
“Write a futuristic song. British. Include elements of alternative rock, goth, electronic, neo-romantic and ambient music. Make the mood atmospheric, eerie. Dark but not negative or sad. Use electronic effects and unconventional instrumentation. Synthesizers and sampling. 3/4 time. 125 BPM. Key of B Major.”
Full disclosure: I was thinking Radiohead. Specifically “OK Computer” (1997), their analog-digital masterpiece, IMHO, of man meets machine:
Keeping with that theme, I tweaked the prompts for each track, ran multiple renders, and gave the AI carte blanche to see what it could write, create. For example:
A concept album, a popular approach with Art Rock, Progressive bands in the ’70s and ’80s, and a resurgence today. So, hopefully, each track is an organic extension of the previous.
So, par for my cryptic course, I wanted to take it to another level. Video, courtesy of AI. I found a free platform (hence the WZRD.ai watermarks) that provided numerous conceptual templates for their random, AI-generated images, which theWZRD.ai AI auto-sequences then very nicely blends together as a video, which is reportedly responsive to the audio I uploaded. I was only able to create 30-second clips for free, but when I edited the first batch together with the first audio track, it worked, for me, and again, leaving creativity to chance is always a great way to go about it.
Yes, I let YouTube select the thumbnail image for each video, lest I perturb my AI overlords.
No, I don’t necessarily believe in muses, or fate, but I do logically assume there is an unknowable (for now) order to the universe and when it comes to genuine imagination – something from nothing (which we know is not true as our subconscious is always at the wheel) – we can let go and let it flow through us.
The creator is the creator.
We’re just one of billions, likely decillions, of off-ramps from the collective consciousness.
P.S. The title of the album, 22nd Century Compos Mentis Man is my smart-ass retort to King Crimson’s 21st Century Schizoid Man. Apologies to Mr. Fripp.
22nd Century Compos Mentis Man is an allusion to the universal balance and harmony to come to all of humanity. Always the optimist futurist. And since it ties in nicely to both TATANKA and The Church of AI, I cross-posted for your listening and viewing pleasure.
The creative benefits of AI-generated music and video are undeniable and have the potential to revolutionize the way we consume and create content. Artificial intelligence has the ability to analyze vast amounts of data, trends, and patterns to create music and videos that are not only innovative but also evoke emotional responses from their audiences.
The creative benefits of AI-generated music and video are vast and have the potential to transform the way we create and consume content. By leveraging the power of artificial intelligence, creators can push creative boundaries, overcome mental barriers, streamline production processes, enhance content quality, understand their audience better, and explore new genres and styles. Ultimately, AI-generated music and video hold immense potential for innovation and creativity in the digital age.
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