The song “(I Am Not Your) Slave” evolved with each band the writer played in, starting with Sluggo in 1989. Over the years, it transformed from its original version to punk, and eventually to jazz. The latest iteration was recorded in 2024, showcasing the tune’s adaptability. Each version reflects the distinct style of the band members involved, emphasizing the importance of musical evolution and collaboration.
Joanna Penn, a successful indie author, details her strategy for productivity amidst juggling various tasks. By reflecting on her goals and outsourcing non-core activities to a virtual assistant and specialists, she aims to write more books and expand into audiobooks, translations, and new markets. She also discusses the importance of adapting to social media changes and managing overwhelm, all while maintaining her creative workflow and avoiding burnout. Penn is recognized for her non-fiction work as well as her bestselling thrillers.
In 1993, I joined the Chicago-based progressive power-pop band SPOT, playing bass and lead vocals for our three-song demo. With collaborative songwriting and organic compositions, we gigged around, including an unforgettable Halloween show. Despite our potential, the band disbanded as life took us in different directions, marking the start of my “Lost Decade.” Enjoy our demo tunes showcasing our short-lived journey.
After a twenty-year break from recording, an avid Foo Fighters fan covers their track with a unique, stripped-down version featuring only vocals and finger snapping with his son. Inspired by frontman Dave Grohl’s resilience and humanity detailed in his book, the cover honors the deep connections and support within Grohl’s life. The artist anticipates Grohl’s continued evolution, suggesting his best work may yet be ahead, reminiscent of The Beatles’ studio-focused experiments.
An unusual choice for me, this cover song features unique instrumentals and vocals. At over seven minutes, largely due to João Pedro’s extended piano outro and his percussion talents, it lingers memorably. Special thanks to Jan Urbanc for the exceptional drumming. Both contributed greatly to the song’s adaptation.
A musician reflects on composing a song about unrequited love following a canceled engagement to his college sweetheart, whose newfound religious beliefs conflicted with his agnosticism. Years later, he appreciates the growth and the birth of his son that resulted from the breakup. Influenced by Britpop and The Beatles, particularly George Harrison, he musically digressed into admiration for Ringo. The song is shared with a hint of wondering if TATANKA might adapt it.
“Broken Window Serenade” by Whiskey Myers is a haunting acoustic ballad that delves into heartbreak and longing with soulful vocals and deep lyrics. Garnering critical acclaim, the 2011 song strikes a balance between vulnerability and resilience, connecting with listeners through its intimate storytelling and rich musical arrangement.
The content appears to be a video link potentially showcasing an Irish sunset, indicated by hashtags like #IrelandSunset and #IrishEvening. There’s also a cryptic message, “DO take any wooden nickels,” and contact information for TATANKA, which may include a website and a phone number for further inquiries.
An artist creatively reinterprets a classic rock song with an ’80s pop and Greenday influence, sharing their cover on YouTube. Credits go to Two Sides Same Story Music for excellent drumming. The artist encourages checking the original and supporting the drummer’s channel. #CoverSong #MusicAdaptation
James Mangold and Liv Tyler discuss the struggle for authenticity in creativity, highlighting the difference between being true to oneself and aspiring to emulate one’s idols. Striving for authentic expression, actors like Tyler confront insecurities through tactics like solitude and prayer. Psychotherapist Mihaela Ivan Holtz emphasizes the importance of finding one’s unique voice, noting that disconnection can lead to unhappiness. Meanwhile, Emma Roberts acknowledges stage fright as a barrier to performance, aligning with Holtz’s view that anxiety impedes one’s true creative self.