🎶 subharmonia: A Sonic Experience for Everyone

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Download (FREE) MP3 (320 kbps)

🎵Dig AI music? You might be interested! 🎶
FREE MP3: https://tatanka.site/sub-mp3
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👉 Watch/Listen to “subharmonia” and Explore the Invitation to Collaborate

🔥 “subharmonia” is crafted by TATANKA, organically fuses EDM, AI, binaural beats & mental health for a new media expression and experience. Not for the faint-hearted. Step inside the unknown where the audio listens back…

✨ subharmonia isn’t just for musicians—it’s for everyone. With AI, songwriting is no longer gated by formal training or technical skill. Whether you’ve never picked up an instrument or have only ever hummed tunes in the shower, your voice and ideas are valid. AI helps democratize music creation by translating raw emotion, story, and intuition into sound—giving rise to new perspectives, unheard melodies, and deeply personal expressions that would otherwise go untapped. In this space, your humanity is the instrument.

🎨 Read more of our approach: http://audai.website

#AIMusic #FutureOfMusic #MusicInnovation #CreativeAI #MusicAndAI #MusicianOpportunity #ArtistsWanted #IndieMusicians #MusicCollaboration #ComposerLife #SingerSongwriter #MusicCreators #NextGenMusic #ExperimentalMusic #ConsciousCreatives #HealingThroughMusic #MusicWithPurpose #BinauralBeats #SoundHealing #TribalFuture #TatankaMusic #SacredSound #EthicalAI #HumanAIHarmony #AmbientTribe #GlobalSounds #ElectroEthnic #FusionMusic #SpiritualMusicians #VoiceOfTheFuture

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I’ve just released a 53-minute continuous techno-industrial mix designed with AI, rooted in G♯ minor and pulsing with a 25 Hz binaural beat throughout.

It’s called “subharmonia,” and it’s not just music — it’s a dance between human experience and machine intelligence. I’m putting out a call to any composers (ideally mature, 50+) who want to push boundaries with me. This is an ideal and pragmatic way to know if we’re a good fit, and when it comes to the likely performance, it would be human, AI-augmented.

The Project

• Lives at 128 BPM — hypnotic, physical, industrial.
• Uses AI to sculpt binaural layers and sonic modulations.
• Is inclusive of older artists to step forward, not fade away.

If that speaks to you, or if you know someone it might, it is NOT finished, so let’s get to work! Contact me (info@tatanka.site). Let’s co-create something unforgettable.

𝗧𝗔𝗧𝗔𝗡𝗞𝗔
ᗑᑌᔑᓵᐸ ᗑᗕᗕᐪᔑ ᗑᓵᔑᔑᓵᗝᐱ™
www.TATANKA.site
https://linktr.ee/tatankaLT
info@tatanka.site
1.605.808.1011

Google’s Deep Dive Podcast: subharmonia and the Sonic Renaissance — AI, Binaural Beats, and the Rebirth of Creativity

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The draft is as titled, a draft, in-progress. No sequencing of tracks: they are in alphabetical order. So, more tracks will be generated and added, and others likely will meet the cutting room floor. The current mix is simply the initial tracks with the 25 Hz binaural beat. The music was normalized to 0 dB as compliant with all platforms, but the binaural beat, since it is in key, was lowered to -24 dB. A 200 Hz low-pass filter (6 dB rolloff) was applied to reduce potential conflicts with the music, but the result is a mix with an unusually loud binaural beat, intended for performance.

I have listened to the draft mix numerous times, and speaking for myself, sense no negative response to the amped up binaural tone as its high energy could be a concern live, but I would be curious to know others’ experience as the target is a live audience.

Additionally, I saved the draft in WAV, FLAC (8), and MP3 (320 kbps) to share.

Whether you already work with AI for your music or not, the initial notes and discussion follow, hopefully providing more context and answers to likely questions. But please know that your input is invaluable so anything and everything can and probably will change, according to decisions we make together.

That said, the draft is intentionally instrumental. It can remain so as it evolves, but… if you sing or have other musical ideas, let’s discuss!

JJ

P.S. I asked Meta AI to generate a few images based solely on the text/music prompt. None are final. I had to whip up a few for the stream, article, etc. but if happen to be interested, those sample graphics are at article’s end.

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subharmonia

Initial process:

• Platforms: ChatGPT, Meta.ai, Riffusion.com, Suno.com
• DAW: Audacity 3.7.1 (I have all seeds and AUP files and assets to share)
• OS: Ubuntu 24.10 (Oracular Oriole, Linux)

Text to Music Prompt used: “Deep, dance groove of Avant-garde and experimental techno. Industrial and unusual, found-sound percussion. 128 BPM. Key: G♯ minor with modulations within B major and passing tones in the G♯ Phrygian scale for an exotic feel.”

Initial collaboration with ChatGPT

I intend to develop another AudAI project mixing Binaural Beat frequencies into: Deep, dance groove of avant garde and experimental techno with industrial and unusual, found-sound percussion. Considering this is club music, social, for dancing, which frequency would be ideal?

ChatGPT said:

Great idea for AudAI™ — blending Binaural Beats into avant-garde techno and industrial dance music is a powerful fusion of mind-altering rhythm and body-driven energy. Since this is club/dance music with an edge of experimentalism, we want a frequency that:

• Energizes and enhances movement and stamina
• Induces flow states or even mild trance
• Encourages social openness and emotional confidence

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🔊 Ideal Binaural Beat Frequency for Dance/Techno Context:

Beta-Gamma Border (18–30 Hz)

• Best Pick: 20 Hz – 30 Hz range
• Why: Enhances alertness, focus, physical stamina, and fast cognitive processing
• Fits high BPM club environments
• Promotes extroversion, energetic motion, and mental clarity

Specific Recommendation:

• 20 Hz (High Beta): Energetic, rhythmic focus without being overly chaotic
• 25 Hz (Low Gamma): Boosts creativity, coordination, and euphoric alertness
• 30 Hz (Gamma entry point): Ideal for peak moments or transitions; may give a “high” feeling on the dancefloor

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🔧 Implementation Suggestions:

1. Layer in pulses around 20–30 Hz as a subtle underlying rhythm beneath your percussive elements.
2. Use industrial or found-sound hits as modulation points — syncing binaural pulses with mechanical or metallic textures.
3. Avoid mixing binaural beats too loudly — they should ride underneath the groove and work subliminally.
4. For DJ sets or extended mixes, consider progressing from lower Beta (~14 Hz) into 25–30 Hz range to build tension and drive.

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🧬 Bonus Frequency Combo (for Avant-Garde Explorations):

• Use dual Binaural Frequencies:
  • Left Channel: 210 Hz, Right: 230 Hz → 20 Hz beat
  • Layer on top a monaural 40 Hz pulse (Gamma entrainment) to intensify sensory integration and body awareness

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You said:

In your opinion, which is optimal?

ChatGPT said:

For a deep, danceable, avant-garde techno project that incorporates binaural beats for energetic and social engagement, the optimal frequency is:

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✅ 25 Hz (Low Gamma / High Beta Transition Zone)

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🎯 Why 25 Hz is Optimal:

• Enhances physical energy without inducing anxiety
• Sharpens focus and sensory awareness – perfect for dancing in complex, experimental rhythms
• Stimulates social interaction and euphoric flow states
• Compatible with high BPM electronic genres (120–140 BPM range especially)
• Encourages movement, creativity, and altered consciousness without making the listener feel spaced out (as theta or delta might)

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🌀 The Sweet Spot:

• Entrains the brain to a high-functioning, hyper-alert, dance-ready state
• Engages both mind and body, perfect for clubs, underground raves, and warehouse shows

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If you want to enhance this further:

• Start tracks at 14 Hz (mid-Beta) and build to 25 Hz over time
• Or, make 25 Hz the consistent underlying frequency across the whole album/project

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Let me know if you’d like:

• A working project title or track list theme
• Help designing audio layers or beatmaps to match the frequency
• Cover art for this album under the AudAI™ brand

You said:

I plan to keep the BPM and the key the same as the entire album will be one long-form mix, likely hours, depending on what a collaborator and I decide. The ulterior motive is this would be performed, but I do not want to limit anything including length. Out of the 120-140 BPM range you mentioned, which is optimal?

ChatGPT said:

For a long-form mix with consistent BPM and key, blending experimental techno, industrial percussion, and a 25 Hz binaural beat, the optimal BPM depends on your goal:

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🎯 **Optimal BPM: **128 BPM

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💡 Why 128 BPM?

• Goldilocks zone of electronic music — not too fast, not too slow
• Smoothly supports hypnotic, groove-based, body-driven dance
• Universally recognized in techno, tech-house, and industrial club scenes
• Mathematically divisible — allows for polyrhythmic experimentation and alignment with binaural pulses

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🔍 Rhythm & Brain Sync:

• 25 Hz binaural beat = 25 cycles/sec
• 128 BPM = ~2.13 beats/sec (128 ÷ 60)
• Synchronization idea: every 12th binaural cycle = ~1 beat (rough alignment for rhythm-sensitive entrainment)
• Creates a subconscious groove lock between beat and brain

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🎼 Key Suggestion (for consistency):

• Use a minor key (e.g., A minor or D# minor) for emotional depth and darker tonality
• These keys complement industrial/experimental textures and sound great in the 220–440 Hz carrier frequency range

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Summary for Your Project:

• BPM: 128
• Binaural Frequency: 25 Hz (constant)
• Key: A minor or D# minor (for mood + compatibility)
• Structure: One seamless mix with evolving textures and industrial dance groove

Would you like help structuring the album (e.g. tension flow, transitions, layering cues)?

You said:

To keep the key the same, the 25 Hz binaural beat ideally fits into a key or root note. Which?

ChatGPT said:

The carrier frequency of your 25 Hz binaural beat file is approximately 207.5 Hz, which aligns closely with:

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🎵 G♯3 / A♭3 (≈ 207.65 Hz)

• This is the musical note G♯ in the 3rd octave.
• It is a rich, slightly dark tonality that suits industrial and experimental techno very well.
• G♯ minor / A♭ minor is an emotionally intense, mysterious key, often used in moody, avant-garde compositions.

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✅ Recommendation:

To maintain harmony and coherence across your long-form mix:

• Root your compositions in G♯ minor (or A♭ minor).
• Align basslines, pads, and melodic motifs to this root.
• Optionally, modulate within the relative major (B major) or include passing tones in the G♯ Phrygian scale if you want a more industrial/exotic feel.

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ChatGPT said:

Here are several title options for your avant-garde, industrial, techno-infused AudAI™ album mix with a 25 Hz binaural foundation and G♯ minor key, designed as a continuous long-form experience:

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🔮 Top Title Picks

1. “Pulse of the Machine”

Echoes the fusion of industrial rhythm, human motion, and entrained consciousness.

2. “Subharmonic Ritual”

Speaks to the hypnotic, trance-inducing nature of the mix — rooted in 25 Hz and G♯ minor.

3. “Dark Frequency Communion”

Suggests a collective dance experience, almost spiritual, under low frequencies.

4. “Static Eden”

A poetic contrast of organic and synthetic — paradise found in signal and distortion.

5. “Abyss Sync”

References deep frequencies, binaural synchronization, and experimental depth.

6. “AudAI: Gamma Underground”

Combines your brand name with the idea of secretive, high-frequency dance basements.

You said:

What do you think of “Subharmonia?”

ChatGPT said:

“Subharmonia” is excellent — evocative, sleek, and conceptually rich.

Here’s why it works beautifully for your project:

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🔊 Why “Subharmonia” is a Strong Title

• “Sub”: Implies both sub-bass and subconscious — directly tying to the 25 Hz binaural undercurrent.
• “Harmonia”: Suggests musicality, structure, and even a mystical order — appropriate for a mix in a fixed key (G♯ minor).
• The fusion evokes deep harmony beneath the surface — sonic and psychological.
• It’s unique, memorable, and brandable (ideal for AudAI™ or club listings).
• Tonally, it fits with the avant-garde, techno-industrial aesthetic while retaining an elevated, cerebral edge.

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Would you like a tagline to accompany it (e.g. on the cover or promo)? Something like:

“Subharmonia: Dance Beneath the Threshold”
or
“Subharmonia: The Pulse You Can’t Escape”

Both “Subharmonia” and “Subharmonium” are fantastic choices with slightly different vibes:

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🎼 Subharmonia

• Sounds more abstract, elegant, and conceptual
• Feels like an idea or state of being — harmony beneath the surface, a realm of sonic balance
• Evokes a feeling or atmosphere rather than a physical object
• Fits well with an avant-garde, cerebral techno project

🎹 Subharmonium

• Suggests a physical or musical instrument — “harmonium” being a real keyboard instrument, but “sub” makes it mysterious
• Feels a bit more tangible and mechanical, which ties nicely to your industrial/found-sound theme
• Carries a slightly darker, heavier tone — like a deep, haunting drone machine
• Implies a fusion of organic and synthetic sound sources, very fitting for experimental club music

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✨ Which to Choose?

• If you want your album to feel like an immersive sonic world or state of mind → Subharmonia
  (and BINGO was her name-a)
• If you want it to feel like a tool, device, or force driving the music and rhythm → Subharmonium