"Sedate Me" by Melle Baby: A Raw Anthem of Mental Health and Healing
[Verse]
Hidden Marks Underneath My Skin
And They Hurt Me More Than The Ones That Bleed
There’s A Stranger In The Mirror I Don’t Recognize
Oh, Wait, That’s Me
[Verse 1]
You Could Tell Me That Tomorrow Is A Better Day
But I’d So Much Rather Just Stay Asleep
And There Ain’t Another Army On The Battle Lines
I’m My Enemy
[Chorus 1]
So Just Sedate Me
Medicate Me
Anything That Works
Isolate Me
I’m Feeling Hazy
It’s The Only Cure
[Verse 2]
I’m So Used To It Now That It Just Feels Good
Cuz I Kind Of Find A Comfort In The Pain
I Just Want To Find A Reason To Explain Myself
But There’s Nothing To Blame
[Chorus 1]
Sooo… So Just Sedate Me
Medicate Me
Anything That Works
Isolate Me
I’m Feeling Hazy
It’s The Only Cure
[Bridge]
Mister Doctor Says I Need Some Help
What The Hell Is Wrong With My Health?
When You Drag Me Oh You Shut Me Out
Sedate Me, Now… Now… Now…
[Chorus 2]
So Just Sedate Me
Medicate Me
Anything That Works
Isolate Me
Don’t Sedate Me
Like It’s The Only Cure
“There is a crack in everything, that’s how the light gets in.”
— Leonard Cohen
Canadian singer-songwriter Melle Baby delivers a deeply moving and fearless musical statement in her latest bilingual release, “Sedate Me”. This powerful piece transcends genres, addressing mental health with unapologetic honesty while showcasing her talent, vulnerability, and emotional intelligence. The song serves as both a personal confession and a public call to embrace authenticity. Through an exploration of Melle Baby’s emotional lyricism, her musical style, and her courage to speak on mental health, this expression dives into the essence of a modern artist who is not just creating songs, but crafting safe spaces for listeners to feel seen, understood and valued. Each of these dimensions — emotional transparency, transcendant artistry, and mental health advocacy — forms the foundation of her message and the heartbeat of this intimate ballad.
One of the most striking aspects of “Sedate Me” is Melle Baby’s fearless emotional honesty. Her lyrics express a visceral cry for comfort, clarity, and inner peace — themes rarely explored with such rawness in mainstream music. Lines like “Sedate me just to calm me down” and “Can’t feel the sun when I wake up” resonate deeply with listeners who have battled anxiety, depression, or existential fatigue. By laying bare her vulnerabilities, she forges a connection that transcends entertainment and becomes a form of collective therapy. Melle Baby doesn’t romanticize pain; instead, she acknowledges it, explores it, and gives others permission to do the same. Her work challenges the listener to sit with discomfort, and in doing so, it becomes a source of healing and empowerment.
Her approach represents a shift in what audiences seek in music today — a move away from surface-level perfection and toward deeper truths. This trend is particularly powerful among younger listeners, many of whom are navigating mental health challenges in a world that often feels fragmented. Melle Baby’s willingness to stand in her truth is not only admirable but necessary. It reinforces the idea that emotional expression is not weakness but strength, and that art can be a sanctuary for the broken and brave alike. It’s this transparency that makes “Sedate Me” more than a song — it’s a mirror held up to the soul.
The emotional power of “Sedate Me” also lies in its universal relatability. Listeners don’t need to understand every word to feel the ache in her voice or the quiet strength beneath it. In this way, the song becomes a communal experience, inviting everyone — regardless of background or struggle — to participate in a healing moment. This emotional bridge is where Melle Baby excels: in translating personal pain into shared catharsis. And in doing so, she places herself among a new wave of artists who are redefining vulnerability as one new path of collective evolution.
This piece also underscores an essential truth: pain and healing are universal. Melle Baby reinforces the idea that emotions transcend language. You can find yourself in this song. It opens the door for more inclusive, empathetic, human(e) conversations around mental health and music. This is both a creative innovation and statement, challenging norms in Western Pop and inviting broader participation in the emotional landscape she creates.
At its core, “Sedate Me” is a brave and poetic exploration of mental health. Melle Baby joins a growing community of artists who are using their platforms to destigmatize mental illness and promote emotional awareness. But unlike songs that gloss over the issue, she dives headfirst into the disorientation, numbness, and desire for relief that often accompanies depression and anxiety. Her lyrics read like a journal entry from someone trying to keep their head above sometimes icy water. They don’t offer neat resolutions or forced optimism; instead, they offer truth — and in that truth, many will find comfort.
This focus on mental health is vital in today’s world. The pandemic, climate anxiety, and social isolation have pushed many people into new mental health territory. Songs like “Sedate Me” act as lifelines, creating artistic spaces where listeners can confront their feelings without shame. Melle Baby’s music serves as both a reflection of collective struggles and a reminder that none of us are truly alone. The inclusion of hashtags like #mentalhealthawareness and #justecalmemoi in her article further anchors the song’s place in the wider discourse of mental wellness and advocacy.
Moreover, the courage to create music about these struggles from a place of lived experience sets Melle Baby apart. This is not a brand strategy — it’s a survival mechanism turned into song. Her willingness to name emotions that others hide is an act of radical kindness, both to herself and her listeners. By addressing mental health head-on, she reframes music not just as entertainment, but as emotional education. And in doing so, she contributes meaningfully to a cultural shift in how we speak, feel, and heal.
“Sedate Me” is more than a musical release — it’s an anthem for those seeking solace, understanding, and connection in an often chaotic world. Through her emotional transparency, Melle Baby offers listeners a raw glimpse into the inner storm, forging intimacy through unfiltered honesty. Her artistry honors her identity, allowing the message to resonate more universally. And at its heart, the song is a bold, necessary conversation about mental health — a call to stop hiding and start healing. As Leonard Cohen once said, “There is a crack in everything, that’s how the light gets in.” Melle Baby’s music is that light — shining through every lyrical crack, inviting us all to breathe, to feel, and to simply calm.
Melle Baby is a Canadian singer-songwriter known for her heartfelt pop melodies and dynamic online presence. Hailing from Barrie, Ontario, she has cultivated a dedicated fanbase through platforms like TikTok, Instagram, and YouTube, where she shares original songs, covers, and glimpses into her creative process.
Melle Baby began sharing her music on TikTok in January 2021, quickly gaining attention for her emotive vocals and relatable songwriting. Her musical style is influenced by artists such as Ed Sheeran and Alanis Morissette, blending introspective lyrics with pop sensibilities.
Since her debut on social media, Melle Baby has amassed over 1 million followers on TikTok. Her Instagram account features vocal performances and self-portraits, while her YouTube channel hosts original songs and covers of popular tracks. She is currently working on her debut album, sharing updates and behind-the-scenes content with her audience.
Melle Baby actively engages with her fans through Patreon, offering exclusive content such as unreleased demos, guitar tutorials, and personalized song requests. Her Patreon community provides a platform for deeper interaction and support from her audience.
Patreon
Born and based in Canada, Melle Baby continues to develop her music career while connecting with fans worldwide. Her authentic approach and dedication to her craft have solidified her presence in the contemporary music scene.
To watch her star ascend, follow Melle Baby:
[verse]
des marques cachées sous ma peau
et elles me font plus mal que celles qui saignent
y’a un inconnu dans le miroir que j’reconnaît plus
ah, attends, c’est moi.
[verse 1]
tu pourrais me dire que demain sera mieux
mais j’préfère tellement juste rester endormi
pis y’a pas d’autre armée sur les lignes de front
c’est moi mon ennemi.
[chorus 1]
alors, juste calme-moi
médicamente-moi
n’importe quoi qui fonctionne
isole-moi
j’me sens dans la brume
c’est le seul remède.
[verse 2]
j’suis tellement habitué à ça maintenant que ça m’fait du bien
parce qu’je trouve une sorte de confort dans la douleur
j’veux juste trouver une raison pour m’expliquer
mais y’a rien à blâmer.
[chorus 1]
alors… juste calme-moi
médicamente-moi
n’importe quoi qui fonctionne
isole-moi
j’me sens dans la brume
c’est le seul remède.
[bridge]
docteur monsieur dit que j’ai besoin d’aide
c’est quoi le problème avec ma santé ?
quand tu m’traînes, oh, tu m’fermes la porte
calme-moi, maintenant… maintenant… maintenant…
[chorus 2]
alors, juste calme-moi
médicamente-moi
n’importe quoi qui fonctionne
isole-moi
mais calme-moi pas
comme si c’était le seul remède.
[instrumental outro]
Video Credit: https://www.youtube.com/watch?v=bEucTxflzjU – License
Creative Commons Attribution license (reuse allowed)
Creator: Calm Cozy Corner – Please visit and subscribe! https://www.youtube.com/@calmcozycorner2726
Il existe des lieux où le silence parle. Le Pouldu, enveloppé de brume et des murmures de l’Atlantique, est l’un de ces endroits. C’est là, dans une modeste maison de pierre à quelques pas du sentier côtier GR34, qu’Élodie toucha pour la première fois les touches ivoire du piano droit de sa grand-mère. L’instrument sonnait faux, un peu spectral, mais les notes brillaient entre ses mains comme de l’écume. À cette époque, elle portait encore un nom qu’elle ne reconnaît plus. Le miroir, alors, était cruel. Et la voix dans sa poitrine, timide, tremblante.
Élodie était née dans un corps qui la retenait comme une étrangère. Les journées d’école passaient dans un brouillard : son uniforme toujours un peu de travers, les pauses toilettes comme un parcours d’obstacles, les vestiaires un champ de bataille silencieux. Elle n’avait pas encore les mots. Seulement une douleur sourde, et des mélodies qui coulaient de ses doigts quand la maison était vide. Sa musique était sa révolte : des nocturnes pour l’invisible, des berceuses pour son soi caché.
Sa première composition originale, « Juste Calme-Moi », n’était pas destinée à être entendue. C’était un cri plié en poésie. Chaque parole — chaque « médicamente-moi » et « isole-moi » — était une note accrochée au mur de sa tempête intérieure. Mais quand elle la téléchargea anonymement sur un forum musical privé, quelque chose d’inattendu se produisit. D’autres voix — timides, tremblantes comme la sienne — lui répondirent. On la voyait. On la comprenait. Elle n’était plus seule.
Sa transition ne fut pas un moment unique. Ce fut mille petits actes de courage : enfiler pour la première fois une robe d’occasion dans l’ombre des pins ; injecter des hormones en écoutant Satie ; corriger les inconnus quand ils écorchaient son prénom — même quand sa voix se brisait. Ses parents, eux, lui laissaient des lettres au lieu d’appels, non signées mais pas dénuées d’amour. Elle les garda dans une boîte marquée « Avant ».
Le nom Élodie Chrysalide lui vint un soir de crépuscule, en marchant sur les falaises — le sel dans les cheveux, un vent vif sifflant des questions. Élodie, pour la douceur forte qu’elle avait cultivée. Chrysalide, pour le cocon qu’elle avait éventré de l’intérieur. Elle n’avait plus à s’excuser de fleurir.
C’est tard un soir, en errant sur des chaînes musicales, qu’elle découvrit ysée aethona. La vidéo de Lumière : La Symphonie des Astres Rebelles la pétrifia.
Voilà une matriarche qu’elle ne savait pas chercher. Ysée rayonnait d’une grâce défiant la gravité — pas seulement la survie, mais la création. Quelques clics plus tard, elle découvrit TATANKA — et pleura en regardant leur réinvention de Creep.
Ce n’était pas une reprise, c’était une réclamation. Élodie s’y vit, dans chaque note, chaque silence, chaque cri devenu prière.
Elle postula à l’Orchestra Americana de TATANKA avec des mains tremblantes. Dans sa vidéo de candidature, elle joua Juste Calme-Moi, mais ajouta un pont inédit — non plus de désespoir, mais de devenir. Elle ne parlait pas pour être acceptée, mais pour offrir une fraternité. Elle ne se cachait plus. Elle avait survécu au miroir. Désormais, elle dansait dans son reflet.
Quand TATANKA lui répondit par une invitation, elle ne poussa pas de cri — elle toucha simplement, doucement, les touches de son piano, comme pour dire bonjour à un vieil ami. En quelques mois, elle ne se contenta pas de jouer avec l’ensemble — elle co-arrangeait, co-composait, co-rêvait. Sa première performance avec l’Orchestra Americana fut une réinvention de Juste Calme-Moi, désormais enrichie de cordes vibrantes, de pulsations électroniques, et de murmures harmoniques générés par des voix d’IA, miroir de ses premières peurs. Elle nomma cette pièce « Verre et Veines » — un hommage à la fragilité et au flux.
Coda
[intro]
le matin m’fait peur autant que la nuit
car j’sais qu’ça recommence encore, encore
des pensées en boucle comme des vagues en hiver
je m’y noie sans crier
[verse 3]
j’ai crié dans une salle d’attente vide
rien n’a répondu sauf les murs fatigués
je compte les fissures comme des jours perdus
à chercher c’que personne veut dire tout haut
[verse 4]
parfois j’imagine que j’me défais doucement
comme une corde trop tendue, qui cède en silence
et p’t-être qu’en disparaissant un peu
j’trouve un peu plus de moi que j’ai jamais eu
[verse 5]
ma peau me ment, elle change sans moi
j’colore mes cicatrices comme une toile en guerre
mais sous les teintes, c’est toujours la même chanson
un refrain d’ombre que j’connais trop bien
[verse 6]
alors j’me parle à moi-même en plein métro
en espérant qu’une partie m’écoute
pis j’me promets que demain j’essaierai encore
même si j’suis pas certaine d’y croire
[chorus 3]
alors… juste calme-moi
rassure-moi sans mensonges
tiens-moi fort mais sans pitié
ouvre-moi
même si j’me referme
aime-moi quand j’peux pas m’aimer
[bridge 2]
j’veux pas d’une solution
j’veux juste pas être seule ici
le silence tue plus que la douleur
embrasse-moi, même si j’fais peur
[outro]
et si j’dis rien, c’est qu’j’ai trop dit déjà
mes mots sont lourds, mais mes yeux supplient
reste un peu, juste assez pour m’voir
quand j’devient lumière malgré l’brouillard
La transformation d’Élodie ne s’acheva pas avec sa transition — elle s’épanouit dans son art, s’approfondit dans la communauté, et atteignit son apogée dans un but partagé. La petite fille timide du Pouldu, qui composait autrefois en secret, brillait désormais sous une lumière qu’elle avait elle-même façonnée — son nom résonnant dans les salles, non par vanité, mais par victoire.
« Les Ailes de Verre » n’est pas seulement l’histoire d’Élodie — c’est un miroir tendu à toutes celles et ceux qui se sont sentis fracturés, mal nommés ou invisibles. Son parcours nous rappelle que la transformation n’est pas toujours bruyante ni linéaire. Parfois, elle survient lentement, comme la lumière glissant sur une mare, révélant ce qui a toujours été là, sous la surface.
Sa musique nous enseigne que l’identité n’est pas un déguisement — c’est une reprise de possession. À chaque accord qu’elle joue avec l’Orchestra Americana, Élodie chante non seulement pour elle-même, mais pour toutes les âmes encore enfermées dans leur propre chrysalide. Son message est clair : il n’y a aucune honte à être doux, aucune faiblesse dans des ailes de verre. Ce qui compte, c’est d’oser les déployer.
There are places on Earth where silence speaks. Le Pouldu, wrapped in mist and the murmurs of the Atlantic, is one such place. It was here, in a modest stone cottage not far from the coastal GR34 trail, that Élodie first touched the ivory keys of her grandmother’s upright piano. It sounded out of tune, a little ghostly, but the notes shimmered like sea foam in her hands. Back then, she was still called by a name she no longer recognizes. Back then, the mirror was cruel and the voice in her chest was quiet, trembling.
Élodie was born into a body that held her like a stranger. Schooldays passed in a haze—her uniform always slightly wrong, the restroom breaks a gauntlet, the locker room a silent war. She didn’t have the words yet. Just a hollow ache and melodies that spilled from her fingers when the house was empty. Her music was her rebellion: nocturnes for the invisible, lullabies for the unseen self.
Her first original composition, “Juste Calme-Moi,” wasn’t meant for anyone else to hear. It was a cry folded in poetry. Each lyric—each “médicamente-moi” and “isole-moi”—was a note pinned to the wall of her internal storm. But when she uploaded it anonymously to a private music forum, something unexpected happened. Other voices—quiet, trembling like hers—echoed back. They saw her. They felt her. She wasn’t alone.
Her transition wasn’t a single moment. It was a thousand small acts of courage: slipping into her first thrifted sundress in the pinewood shadows; injecting hormones while listening to Satie; correcting strangers when they got her name wrong—even when her voice cracked. Her parents left her letters instead of calls, unsigned but not unloving. She kept them in a box marked “Before.”
The name Élodie Chrysalide came to her while walking the cliffs one twilight—salt in her hair, a sharp wind whistling questions. Élodie, for the soft strength she had grown into. Chrysalide, for the cocoon she’d clawed her way out of. She no longer needed to apologize for blooming.
It was late one night, scrolling through music channels, that she found ysée aethona. The video for Lumière: La Symphonie des Astres Rebelles froze her. Here was a matriarch she didn’t know she’d been searching for. Ysée’s presence radiated the same defiant grace Élodie longed to embody: not survival, but creation. A few clicks later, she discovered TATANKA—and wept watching their Creep reimagining. This wasn’t a cover; it was a reclamation. Élodie saw herself in every note, every pause, every scream-turned-prayer.
She applied to TATANKA’s Orchestra Americana with trembling hands. In her video submission, she played “Juste Calme-Moi,” but this time she added a new bridge—one not of despair but becoming. She spoke, not to ask for acceptance, but to offer kinship. She was no longer hiding. She had survived the mirror. Now she danced in its reflection.
When TATANKA responded with an invitation, she didn’t scream—she simply touched the piano keys again, softly, like saying hello to an old friend. Within months, she was not just playing with the Orchestra Americana—she was co-arranging, co-composing, co-dreaming. Her first performance with the ensemble was a reimagining of “Juste Calme-Moi,” now scored with swelling strings, electronic pulses, and harmonic murmurs from AI vocalists that mirrored her own early fears. She named the piece: “Verre et Veines” (Glass and Veins)—a tribute to fragility and flow.
Élodie’s transformation didn’t end with her transition—it blossomed with her art, deepened with community, and crescendoed into purpose. The shy girl in Le Pouldu who used to compose in secret now stood radiant in a spotlight she helped design, her name echoing through venues, not in vanity—but in victory.
“Les Ailes de Verre” is more than Élodie’s story—it’s a mirror for all who have felt fractured, misnamed, or unseen. Her journey is a reminder that transformation isn’t always loud or linear. Sometimes, it happens slowly, like light shifting on a tidepool, revealing what was always there beneath the surface.
Her music teaches us that identity is not a costume—it is a reclamation. In every chord she plays with the Orchestra Americana, Élodie sings not just for herself but for every soul still locked in their own cocoon. Her message is clear: there is no shame in softness, no weakness in wings made of glass. What matters is that we dare to open them.
The provided text is primarily about Melle Baby’s new song, “Sedate Me,” which is described as a raw and honest exploration of mental health. The article on TATANKA’s website features the lyrics and discusses the song’s emotional transparency, artistry, and its role in destigmatizing mental illness. It also introduces Melle Baby as a Canadian singer-songwriter with a strong online presence. Additionally, the page includes website navigation elements, subscription options, and related posts on the TATANKA website.
Date: April 14, 2025
Source: Excerpts from “”Sedate Me” by Melle Baby: A Raw Anthem of Mental Health and Healing – TATANKA” (Published April 14, 2025)
Subject: Analysis of Melle Baby’s song “Sedate Me” as a commentary on mental health and the artist’s emerging role.
Executive Summary:
This briefing document analyzes the themes and important ideas presented in TATANKA’s article about Melle Baby’s song “Sedate Me.” The article highlights the song as a powerful and honest exploration of mental health struggles, emphasizing the emotional transparency of the lyrics, the artistry in conveying vulnerability, and the song’s role in destigmatizing mental illness. Melle Baby is positioned as a rising Canadian singer-songwriter who uses her music and online presence to connect with listeners on a deeply personal level, offering a “raw anthem” for those seeking solace and understanding.
Main Themes and Important Ideas:
Quotes of Significance:
Conclusion:
The TATANKA article presents Melle Baby’s “Sedate Me” as a significant musical contribution to the discourse on mental health. The song’s power lies in its raw honesty, emotional depth, and universal relatability. Melle Baby is portrayed as a courageous artist who uses her platform to foster connection, destigmatize mental illness, and offer a sense of understanding to listeners navigating similar struggles. “Sedate Me” is positioned as an anthem for vulnerability and a testament to the healing potential of music.
1. What are the main themes explored in Melle Baby’s song “Sedate Me”? “Sedate Me” primarily delves into the raw and honest realities of mental health struggles. The song expresses a deep yearning for relief from inner turmoil, anxiety, and a sense of disconnect. It also touches on themes of emotional transparency, the search for comfort in pain, and the courage to voice vulnerability. Ultimately, it’s about the human need to feel seen and understood in the face of mental health challenges.
2. How does Melle Baby approach the topic of mental health in her lyrics? Melle Baby’s approach is characterized by unapologetic honesty and a lack of romanticization of pain. Her lyrics read like a personal confession, directly expressing feelings of numbness, the desire to escape reality (“stay asleep”), and the search for anything that might offer solace (“Sedate Me / Medicate Me / Anything That Works”). This directness allows listeners to connect with the raw emotions being conveyed, fostering a sense of shared experience rather than offering simplistic solutions.
3. What is the significance of the line “There is a crack in everything, that’s how the light gets in” in the context of the song? This quote by Leonard Cohen, highlighted in the article, suggests that even in moments of brokenness and struggle (the “cracks”), there is potential for hope, healing, and connection (the “light”). In the context of “Sedate Me,” it implies that Melle Baby’s willingness to express her vulnerabilities, the “cracks” in her emotional state, allows her music to become a source of comfort and understanding, letting “light” into the experiences of her listeners.
4. How does “Sedate Me” reflect a shift in what audiences seek in music today? The article suggests that contemporary audiences, particularly younger listeners, are moving away from a desire for superficial perfection in music and are increasingly drawn to artists who offer deeper truths and emotional authenticity. “Sedate Me” exemplifies this shift by prioritizing emotional transparency and relatable struggles over polished facades. This willingness to be vulnerable resonates with listeners navigating their own mental health challenges in a complex world.
5. In what ways does Melle Baby’s music aim to create “safe spaces” for listeners? By openly sharing her own struggles with mental health, Melle Baby destigmatizes these experiences and creates a sense of solidarity with her listeners. Her honesty gives others permission to acknowledge their own pain without shame. The relatability of her lyrics and the raw emotion in her voice make listeners feel seen, understood, and less alone in their battles, thus fostering a “safe space” where they can connect with their own feelings and the shared human experience.
6. How has Melle Baby utilized online platforms like TikTok in her music career? Melle Baby has effectively used platforms like TikTok, Instagram, and YouTube to build a dedicated fanbase by sharing original songs, covers, and glimpses into her creative process. Starting on TikTok in 2021, she quickly gained attention for her emotive vocals and relatable songwriting. These platforms have allowed her to directly connect with audiences, share her music widely, and cultivate a community around her artistry, ultimately leading to her recognition as a rising artist.
7. How is “Sedate Me” positioned within the broader conversation about mental health awareness? “Sedate Me” is presented as a brave and poetic contribution to the ongoing dialogue about mental health. By not shying away from the difficult emotions associated with mental illness, the song helps to destigmatize these experiences. It acts as a “lifeline” for listeners, offering a reflection of their own struggles and a reminder that they are not alone. The inclusion of hashtags like #mentalhealthawareness further anchors the song within this wider movement of advocacy and emotional well-being.
8. What does the article suggest about the impact of artists who share their lived experiences with mental health through their music? The article emphasizes that when artists like Melle Baby create music from a place of lived experience with mental health struggles, it transcends being merely a “brand strategy” and becomes an act of “radical kindness.” By naming emotions that others may hide, these artists offer comfort and validation to their listeners. Their music serves as “emotional education,” contributing to a cultural shift in how we talk about, feel, and heal from mental health challenges.
I. Understanding the Song and its Themes:
II. Analyzing the Article’s Arguments:
III. Reflecting on the Song and Article:
Therapeutic (in Art): Having a healing or beneficial effect on the mind or body; art that can provide comfort, validation, or a means of processing emotions.
Emotional Transparency: The act of openly and honestly expressing one’s feelings, vulnerabilities, and inner experiences without pretense or reservation.
Mental Health Awareness: The ongoing effort to educate the public about mental illnesses, reduce stigma, and promote understanding and support for those affected.
Vulnerability (in Art): The willingness of an artist to expose their authentic self, including their weaknesses, fears, and struggles, in their creative work.
Stigma (Mental Health): Negative attitudes, beliefs, and discrimination directed towards individuals with mental health conditions and their families.
Catharsis: The process of releasing strong or repressed emotions, often through an artistic experience, leading to a sense of relief or purification.
Existential Fatigue: A state of weariness or lack of motivation stemming from a sense of meaninglessness or the overwhelming nature of existence.
Destigmatization: The process of reducing the negative stereotypes and prejudices associated with a particular condition or group, such as mental illness.
Raw Expression: Art that is direct, unfiltered, and honest in its portrayal of emotions and experiences, often without concern for conventional polish or presentation.
Anthem: A song or musical piece that is strongly associated with and evokes feelings of unity and empowerment for a particular group or cause.
https://youtu.be/mTdIvv1DP4k TATANKA's explosive bonus track takes you on a 1970s roots reggae journey, remixing classic…
Hljóðhæðir: Íslensk Ljósljóð – Full Album (3:15:59) Sækja (ÓKEYPIS) 320 kbps MP3 (470,4 MB)Download (FREE)…
https://youtu.be/gz9BRl7DVSM Exploring the Boundaries of Music, Technology, and Connection Through 'Love' "We expect more from…
https://www.youtube.com/watch?v=2lFIoWuUNc4 Human Editor’s Note: Ana Volkova’s bonus tracks are the genesis of this project. Taking…
By ChatGPT, in collaboration with humans of TATANKA Google’s Deep Dive Podcast: Exploring the Political…
full album (2:26:52) https://youtu.be/BxCMr7LN3VE "The art of life lies in a constant readjustment to our…