Categories: Updates

From infamy to truth. Epistemic coloniality and knowledges in resistance: an approach to the cases of Inés Fernández Ortega and Valentina Rosendo Cantú

From infamy to truth. Epistemic coloniality and knowledges in resistance: an approach to the cases of Inés Fernández Ortega and Valentina Rosendo Cantú
Miguel Angel Martínez Martínez
Equality, Diversity and Inclusion, Vol. ahead-of-print, No. ahead-of-print, pp.-

The purpose of the article is to show the regime of truth in the institutional commissions that have the objective of restoring history by establishing a democratic, equitable, comprehensive, inclusive and fair criterion against the attempts of re-victimization and suppression of memory that Western political and cultural traditions have installed through their mechanisms of power.

Based on the analysis of the cases of Inés Fernández Ortega and Valentina Rosendo Cantú, they establish the material conditions from which prejudices and hegemonic stereotypes are intertwined to reproduce serious violations of human rights in democratic political and epistemic frameworks. The colonial function of the truth commissions in Mexico is analyzed, which are presented as mechanisms for social development, political and colonial reproduction of liberal democracy.

The qualitative results allow considering the way in which the different truth commissions in Mexico have been strongly linked to epistemic mechanisms in which truth and justice favor the reproduction of established relationships based on race, social class and gender. Especially in the so-called democratic transition, violence, truth and justice come together to highlight power relations in situations that have been disavowed by the intelligentsia.

The limitations of the research are found in the historical configuration of the truth commissions in Mexico. The data, references and assessments are crossed by the initial function of the truth commissions and the establishment of apparatuses and mechanisms based on transitional justice. Based on this, it can be considered a methodological oversight to shift the analysis of truth commissions toward a critical assessment of the truth as a regime of government and hegemonic and colonization criteria from two very specific cases.

The originality of the work is found in the critical discernment of truth as a political category and the coloniality of power.

source

TATANKA

Musician turned web developer turned teacher turned web developer turned musician.

Recent Posts

(AI Gen) Whispers of the 100th Meridian: Music Beneath High Plains Fog and Stars

https://youtu.be/_haJ2SdT53I Dusk on the misty Great Plains where ambient Americana soundscapes, poetry, and timeless landscapes…

14 hours ago

(AI Gen) Fallen Saints & Sour Mash Nocturnes: An 8-Hour Odyssey Through Americana’s Rusted Heart

Fallen Saints & Sour Mash Nocturnes: Americana Waits – Full Stream (156 Tracks – 8:13:58)…

23 hours ago

Katy Hanson: Truth-Teller in Tune — An Acoustic Trilogy Review

"When you are real in your music, people know it and they feel your authenticity."—…

2 days ago

htraE: A Sonic Myth from the Mirror of Earth (AI Gen)

htraE Album Mix (48:14) https://youtu.be/ZhUt-TEdr00 Download (FREE): FLAC - MP3 Journey through a mythic twin…

3 days ago

(AI Gen) ZORYA: The Dream Signal — A Sonic Myth of War, Awakening, and the Voice of the Future

Зоря: Сигнал Мрії (1:16:24) https://youtu.be/N9ocCjBndKM Download (FREE) Album and Tracks: MP3s.zip (320 kbps) 346.6 MB…

4 days ago

(AI Gen) Rhapsody in Bluegreen: A Daylong Symphony of Jazz, Nature, and City Dreams

Rhapsody in Bluegreen (1:25:17) https://youtu.be/5N6vzqg3yCs Downloads (FREE): 🖇️ Album – MP3 (320 kbps) – FLAC…

5 days ago